Charles Martin

Bilde av Charles Martin
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Mobiltelefon +47-92014165 +47 920 14 165
Rom 4413
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Besøksadresse Gaustadalléen 23 B Ole-Johan Dahls hus 0373 OSLO

Publikasjoner

Papers in Conference Proceedings

  • Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. 2016. Intelligent agents and networked buttons improve free-improvised ensemble music-making on touch-screens. Proceedings of the SIGCHI conference on human factors in computing systems, ACM. http://doi.org/10.1145/2858036.2858269

  • Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. 2015. Music of 18 performances: Evaluating apps and agents with free improvisation. Proceedings of the 2015 conference of the Australasian Computer Music Association, Australasian Computer Music Association, 85–94. http://hdl.handle.net/1885/95205

  • Charles Martin and Henry Gardner. 2015. That syncing feeling: Networked strategies for enabling ensemble creativity in iPad musicians. Proceedings of CreateWorld, Griffith University. http://hdl.handle.net/1885/95216

  • Charles Martin, Henry Gardner, and Ben Swift. 2015. Tracking ensemble performance on touch-screens with gesture classification and transition matrices. Proceedings of the international conference on new interfaces for musical expressionhttp://www.nime.org/proceedings/2015/nime2015_242.pdf

  • Charles Martin, Henry Gardner, and Ben Swift. 2014. MetaTravels and MetaLonsdale: IPad apps for percussive improvisation. CHI ’14 extended abstracts on human factors in computing systems, ACM, 547–550. http://doi.org/10.1145/2559206.2574805

  • Charles Martin. 2014. Making improvised music for iPad and percussion with Ensemble Metatone. Proceedings of the Australasian computer music conference, 115–118. http://hdl.handle.net/1885/95314

  • Charles Martin, Henry Gardner, and Ben Swift. 2014. Exploring percussive gesture on iPads with Ensemble Metatone. Proceedings of the SIGCHI conference on human factors in computing systems, ACM, 1025–1028. http://doi.org/10.1145/2556288.2557226

  • Charles Martin. 2013. Integrating mobile music with percussion performance practice. Proceedings of the international computer music conference, 437–440. http://hdl.handle.net/2027/spo.bbp2372.2013.073

  • Charles Martin. 2013. Performing with a mobile computer system for vibraphone. Proceedings of the international conference on new interfaces for musical expression, Graduate School of Culture Technology, KAIST, 377–380. http://nime.org/proceedings/2013/nime2013_121.pdf

  • Charles Martin. 2012. Creating mobile computer music for percussionists: Snow music. Proceedings of the Australasian computer music conference, Australasian Computer Music Association. http://doi.org/10.13140/RG.2.1.5150.5687

  • Charles Martin and Chi-Hsia Lai. 2011. Strike on Stage: A percussion and media performance. Proceedings of the international conference on new interfaces for musical expression, 142–143. http://www.nime.org/proceedings/2011/nime2011_142.pdf

  • Charles Martin, Benjamin Forster, and Hanna Cormick. 2010. Audience interactive performance in “. Proceedings of the Australasian computer music conference, Australasian Computer Music Association, 89–91. http://hdl.handle.net/1885/101945

  • Charles Martin, Benjamin Forster, and Hanna Cormick. 2010. Cross-artform performance using networked interfaces: Last Man to Die’s Vital LMTD. Proceedings of the international conference on new interfaces for musical expression, 204–207. http://www.nime.org/proceedings/2010/nime2010_204.pdf

Theses

Book Chapters

  • Charles Martin and Henry Gardner. 2016. A percussion-focussed approach to preserving touch-screen improvisation. In Curating the digital: Spaces for art and interaction, David England, Thecla Schiphorst and Nick Bryan-Kinns (eds.). Springer International Publishing, Switzerland. http://doi.org/10.1007/978-3-319-28722-5_5

Workshop and Working Papers

  • Charles Martin and Henry Gardner. 2016. Free-improvised rehearsal-as-research for musical HCI. Proceedings of the CHI musical HCI workshophttp://doi.org/10.5281/zenodo.56378

  • Charles Martin and Henry Gardner. 2016. Can machine learning apply to musical ensembles? Proceedings of the CHI human-centered machine learning workshophttp://doi.org/10.5281/zenodo.56379
  • Martin, Charles Patrick (2017). Percussionist-Centred Design for Touchscreen Digital Musical Instruments. Contemporary Music Review.  ISSN 0749-4467.  36(1-2), s 64- 85 . doi: 10.1080/07494467.2017.1370794 Fulltekst i vitenarkiv
  • Martin, Charles Patrick (2017). Pursuing a Sonigraphical Ideal at the Dawn of the NIME Epoch, In Alexander Refsum Jensenius & Michael J. Lyons (ed.),  A NIME Reader: Fifteen Years of New Interfaces for Musical Expression.  Springer Science+Business Media B.V..  ISBN 978-3-319-47213-3.  Expert Commentary on "Sonigraphical Instruments: From FMOL to the reacTable*".  s 103 - 105
  • Martin, Charles Patrick; Ellefsen, Kai Olav & Tørresen, Jim (2017). Deep Models for Ensemble Touch-Screen Improvisation , In George Fazekas; Mathieu Barthet & Tony Stockman (ed.),  Proceedings of the 12th International Audio Mostly Conference: Augmented and Participatory Sound and Music Experiences.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-5373-1.  Conference paper. Fulltekst i vitenarkiv
  • Martin, Charles Patrick & Tørresen, Jim (2017). Exploring Social Mobile Music with Tiny Touch-Screen Performances , In Tapio Lokki; Jukka Pätynen & Vesa Välimäki (ed.),  Proceedings of the 14th Sound and Music Computing Conference 2017.  Aalto University.  ISBN 978-952-60-3729-5.  Conference Paper.  s 175 - 180 Fulltekst i vitenarkiv
  • Martin, Charles Patrick & Tørresen, Jim (2017). MicroJam: An App for Sharing Tiny Touch-Screen Performances, In Cumhur Erkut (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Aalborg University Copenhagen.  Chapter.  s 495 - 496 Fulltekst i vitenarkiv

Se alle arbeider i Cristin

  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Martin, Charles Patrick (2017). Sverm-Puls .
  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Martin, Charles Patrick (2017). Sverm-Resonans .
  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Martin, Charles Patrick (2017). Sverm-Resonans .
  • Martin, Charles Patrick (2017). Making Social Music with MicroJam.
  • Martin, Charles Patrick (2017). MicroJam: A Social App for Making Music.
  • Martin, Charles Patrick (2017). Musical Networks: Using Recurrent Neural Networks to Model and Complement Musical Creativity .
  • Martin, Charles Patrick (2017). Virtuosic Interactions / Performing with a Neural iPad Band.
  • Martin, Charles Patrick; Gonzalez Sanchez, Victor Evaristo; Kelkar, Tejaswinee; Zelechowska, Agata; Berggren, Stig Johan; Hopgood, Christina; Wallace, Benedikte; Brustad, Henrik; Utne-Reitan, Bjørnar; Ellefsen, Kai Olav; Nygaard, Tønnes Frostad; Søyseth, Vegard Dønnem; Câmara, Guilherme Schmidt & Diaz, Ximena Alarcón (2017). Ensemble Metatone - Improvised Touchscreen Performance .

Se alle arbeider i Cristin

Publisert 22. aug. 2016 14:14 - Sist endret 20. jan. 2017 10:00
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