Charles Martin

Postdoctoral Fellow
Image of Charles Martin
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Visiting address Gaustadalléen 23 B Ole-Johan Dahls hus 0373 OSLO
Postal address Postboks 1080 Blindern 0316 OSLO

Charles Martin is a specialist in percussion, computer music, and interactive media from Canberra, Australia. He links percussion with electroacoustic music and other media through new technologies. In 2016, Charles joined the Engineering Prediction and Embodied Cognition (EPEC) project at the University of Oslo, where he is developing new ways to predict musical intentions and performances in smartphone apps. 

Research Interests:

  • new interfaces for musical performance
  • computational creativity
  • smartphone/tablet musical instruments
  • collaborative performance
  • co-creative interfaces
  • improvisation
  • percussive approaches to computer music

Supervision:

Charles supervises masters projects in the EPEC project and ROBIN group at IFI. Projects are available in:

  • developing predictive musical instruments
  • machine learning of musical style
  • musical AI
  • computer support for collaborative musical expression

More information on interactive music and musical AI is available at the EPEC project page.

Tags: Music Technology, HCI, Intelligent Systems, Mobile Applications, Improvisation, Collaborative Creativity, Percussion

Publications

Journal Articles

Book Chapters

  • Charles Martin and Henry Gardner. 2016. A percussion-focussed approach to preserving touch-screen improvisation. In Curating the digital: Spaces for art and interaction, David England, Thecla Schiphorst and Nick Bryan-Kinns (eds.). Springer International Publishing, Switzerland. http://doi.org/10.1007/978-3-319-28722-5_5

Papers in Conference Proceedings

  • Charles P. Martin, Kai Olav Ellefsen, and Jim Torresen. 2017. Deep models for ensemble touch-screen improvisation. Proceedings of AM ’17. http://doi.org/10.1145/3123514.3123556 (postprint download)
  • Charles P. Martin and Jim Torresen. 2017. Exploring social mobile music with tiny touch-screen performances. Proceedings of the 14th sound and music computing conference, Aalto University, 175–180. http://smc2017.aalto.fi/media/materials/proceedings/SMC17_p175.pdf
  • Charles P. Martin and Jim Torresen. 2017. MicroJam: An app for sharing tiny touch-screen performances. Proceedings of the international conference on new interfaces for musical expression, Aalborg University Copenhagen, 495–496. http://urn.nb.no/URN:NBN:no-58823
  • Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. 2016. Intelligent agents and networked buttons improve free-improvised ensemble music-making on touch-screens. Proceedings of the SIGCHI conference on human factors in computing systems, ACM. http://doi.org/10.1145/2858036.2858269
  • Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. 2015. Music of 18 performances: Evaluating apps and agents with free improvisation. Proceedings of the 2015 conference of the Australasian Computer Music Association, Australasian Computer Music Association, 85–94. http://hdl.handle.net/1885/95205
  • Charles Martin and Henry Gardner. 2015. That syncing feeling: Networked strategies for enabling ensemble creativity in iPad musicians. Proceedings of CreateWorld, Griffith University. http://hdl.handle.net/1885/95216
  • Charles Martin, Henry Gardner, and Ben Swift. 2015. Tracking ensemble performance on touch-screens with gesture classification and transition matrices. Proceedings of the international conference on new interfaces for musical expression. http://www.nime.org/proceedings/2015/nime2015_242.pdf
  • Charles Martin, Henry Gardner, and Ben Swift. 2014. MetaTravels and MetaLonsdale: IPad apps for percussive improvisation. CHI ’14 extended abstracts on human factors in computing systems, ACM, 547–550. http://doi.org/10.1145/2559206.2574805
  • Charles Martin. 2014. Making improvised music for iPad and percussion with Ensemble Metatone. Proceedings of the Australasian computer music conference, 115–118. http://hdl.handle.net/1885/95314
  • Charles Martin, Henry Gardner, and Ben Swift. 2014. Exploring percussive gesture on iPads with Ensemble Metatone. Proceedings of the SIGCHI conference on human factors in computing systems, ACM, 1025–1028. http://doi.org/10.1145/2556288.2557226
  • Charles Martin. 2013. Integrating mobile music with percussion performance practice. Proceedings of the international computer music conference, 437–440. http://hdl.handle.net/2027/spo.bbp2372.2013.073
  • Charles Martin. 2013. Performing with a mobile computer system for vibraphone. Proceedings of the international conference on new interfaces for musical expression, Graduate School of Culture Technology, KAIST, 377–380. http://nime.org/proceedings/2013/nime2013_121.pdf
  • Charles Martin. 2012. Creating mobile computer music for percussionists: Snow music. Proceedings of the Australasian computer music conference, Australasian Computer Music Association. http://doi.org/10.13140/RG.2.1.5150.5687
  • Charles Martin and Chi-Hsia Lai. 2011. Strike on Stage: A percussion and media performance. Proceedings of the international conference on new interfaces for musical expression, 142–143. http://www.nime.org/proceedings/2011/nime2011_142.pdf
  • Charles Martin, Benjamin Forster, and Hanna Cormick. 2010. Audience interactive performance in “The Last Man to Die". Proceedings of the Australasian computer music conference, Australasian Computer Music Association, 89–91. http://hdl.handle.net/1885/101945
  • Charles Martin, Benjamin Forster, and Hanna Cormick. 2010. Cross-artform performance using networked interfaces: Last Man to Die’s Vital LMTD. Proceedings of the international conference on new interfaces for musical expression, 204–207. http://www.nime.org/proceedings/2010/nime2010_204.pdf

Theses

Workshop and Working Papers

  • Charles Martin and Henry Gardner. 2016. Free-improvised rehearsal-as-research for musical HCI. Proceedings of the CHI musical HCI workshop. http://doi.org/10.5281/zenodo.56378
  • Charles Martin and Henry Gardner. 2016. Can machine learning apply to musical ensembles? Proceedings of the CHI human-centered machine learning workshop. http://doi.org/10.5281/zenodo.56379
  • Martin, Charles Patrick (2017). Percussionist-Centred Design for Touchscreen Digital Musical Instruments. Contemporary Music Review.  ISSN 0749-4467.  36(1-2), s 64- 85 . doi: 10.1080/07494467.2017.1370794 Full text in Research Archive
  • Martin, Charles Patrick (2017). Pursuing a Sonigraphical Ideal at the Dawn of the NIME Epoch, In Alexander Refsum Jensenius & Michael J. Lyons (ed.),  A NIME Reader: Fifteen Years of New Interfaces for Musical Expression.  Springer Science+Business Media B.V..  ISBN 978-3-319-47213-3.  Expert Commentary on "Sonigraphical Instruments: From FMOL to the reacTable*".  s 103 - 105
  • Martin, Charles Patrick; Ellefsen, Kai Olav & Tørresen, Jim (2017). Deep Models for Ensemble Touch-Screen Improvisation , In George Fazekas; Mathieu Barthet & Tony Stockman (ed.),  Proceedings of the 12th International Audio Mostly Conference: Augmented and Participatory Sound and Music Experiences.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-5373-1.  Conference paper. Full text in Research Archive
  • Martin, Charles Patrick & Tørresen, Jim (2017). Exploring Social Mobile Music with Tiny Touch-Screen Performances , In Tapio Lokki; Jukka Pätynen & Vesa Välimäki (ed.),  Proceedings of the 14th Sound and Music Computing Conference 2017.  Aalto University.  ISBN 978-952-60-3729-5.  Conference Paper.  s 175 - 180 Full text in Research Archive
  • Martin, Charles Patrick & Tørresen, Jim (2017). MicroJam: An App for Sharing Tiny Touch-Screen Performances, In Cumhur Erkut (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Aalborg University Copenhagen.  Chapter.  s 495 - 496 Full text in Research Archive

View all works in Cristin

  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Martin, Charles Patrick (2017). Sverm-Puls .
  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Martin, Charles Patrick (2017). Sverm-Resonans .
  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Martin, Charles Patrick (2017). Sverm-Resonans .
  • Martin, Charles Patrick (2017). Making Social Music with MicroJam.
  • Martin, Charles Patrick (2017). MicroJam: A Social App for Making Music.
  • Martin, Charles Patrick (2017). Musical Networks: Using Recurrent Neural Networks to Model and Complement Musical Creativity .
  • Martin, Charles Patrick (2017). Virtuosic Interactions / Performing with a Neural iPad Band.
  • Martin, Charles Patrick; Gonzalez Sanchez, Victor Evaristo; Kelkar, Tejaswinee; Zelechowska, Agata; Berggren, Stig Johan; Hopgood, Christina; Wallace, Benedikte; Brustad, Henrik; Utne-Reitan, Bjørnar; Ellefsen, Kai Olav; Nygaard, Tønnes Frostad; Søyseth, Vegard Dønnem; Câmara, Guilherme Schmidt & Diaz, Ximena Alarcón (2017). Ensemble Metatone - Improvised Touchscreen Performance .

View all works in Cristin

Published Aug. 22, 2016 2:15 PM - Last modified Oct. 17, 2017 1:09 PM