Charles Martin

Bilde av Charles Martin
English version of this page
Mobiltelefon +47-92014165 +47 920 14 165
Rom 4411
Brukernavn
Besøksadresse Gaustadalléen 23 B Ole-Johan Dahls hus 0373 OSLO
Postadresse Hawdon St 0585 OSLO

Charles Martin er en forsker i informatikk, maskin læring og elektronisk musikk. Han kobler perkusjon med elektroakustisk musikk og andre medier gjennom ny teknologi. I 2016 deltok Charles i prosjektet Engineering Prediction and Embodied Cognition (EPEC) ved Universitetet i Oslo, hvor han utvikler nye måter å forutsi musikalske intensjoner og fremføringer i smarttelefon applikasjoner.

Fra 2018 er Charles også forsker i RITMO Senter for tverrfaglig forskning på rytme, tid og bevegelse.

Forskningsinteresser:

  • NIME (New Interfaces for Musical Expression)
  • Kreativ AI
  • Musikkinstrumenter for smarttelefon
  • Kreativt samspill 
  • Improvisasjon
  • Perkusjon i elektronisk musikk

Charles veileder i masterprosjekter i EPEC-prosjektet og ROBIN-gruppen ved IFI. Prosjekter er tilgjengelige innenfor:

  • Utvikling av prediktive musikkinstrumenter
  • Maskinlæring for modellering av musikalsk stil
  • Musikalsk AI

Mer informasjon om interaktiv musikk og musikalsk AI er tilgjengelig på EPECs prosjektside. Her kan du finne nyttig informasjon dersom du vil gjøre et musikalsk masterprosjekt.

 

Publikasjoner

  • Charles P. Martin and Henry Gardner. Free-Improvised Rehearsal-as-Research for Musical HCI. In Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson, and Marcelo M. Wanderley, editors, New Directions in Music and Human-Computer Interaction, Springer Series on Cultural Computing, pages 269--284. Springer, Cham, February 2019. [ bib | DOI | preprint | .pdf ]
  • Charles P. Martin and Jim Torresen. RoboJam: A Musical Mixture Density Network for Collaborative Touchscreen Interaction. In Antonios Liapis, Juan Jesús Romero Cardalda, and Anikó Ekárt, editors, Computational Intelligence in Music, Sound, Art and Design: International Conference, EvoMUSART, volume 10783 of Lecture Notes in Computer Science, pages 161--176, Switzerland, April 2018. Springer International Publishing. [ bib | DOI | arXiv | video | http ]
  • Charles P. Martin. Percussionist-Centred Design for Touchscreen Digital Musical Instruments.Contemporary Music Review, 36(1--2):64--85, September 2017. [ bib | DOI | preprint ]
  • Charles P. Martin, Kai Olav Ellefsen, and Jim Torresen. Deep Models for Ensemble Touch-Screen Improvisation. In Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, AM '17, August 2017. [ bib | DOI | preprint ]
  • Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. 2016. Intelligent agents and networked buttons improve free-improvised ensemble music-making on touch-screensProceedings of the SIGCHI conference on human factors in computing systems, ACM. http://doi.org/10.1145/2858036.2858269
  • Charles Martin and Henry Gardner. 2016. A percussion-focussed approach to preserving touch-screen improvisation. In Curating the digital: Spaces for art and interaction, David England, Thecla Schiphorst and Nick Bryan-Kinns (eds.). Springer International Publishing, Switzerland. http://doi.org/10.1007/978-3-319-28722-5_5
  • Charles Martin, Henry Gardner, and Ben Swift. 2015. Tracking ensemble performance on touch-screens with gesture classification and transition matricesProceedings of the international conference on new interfaces for musical expressionhttp://www.nime.org/proceedings/2015/nime2015_242.pdf
  • Charles Martin, Henry Gardner, and Ben Swift. 2014. Exploring percussive gesture on iPads with Ensemble MetatoneProceedings of the SIGCHI conference on human factors in computing systems, ACM, 1025–1028. http://doi.org/10.1145/2556288.2557226
  • Charles Patrick Martin. 2016. Apps, agents, and improvisation: Ensemble interaction with touch-screen digital musical instruments. PhD Thesis http://hdl.handle.net/1885/101786​​
  • Faitas, Andrei; Baumann, Synne Engdahl; Næss, Torgrim Rudland; Tørresen, Jim & Martin, Charles Patrick (2019). Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks, In Marcelo Queiroz & Anna Xambo Sedo (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.
  • Martin, Charles Patrick & Gardner, Henry (2019). Free-Improvised Rehearsal-as-Research for Musical HCI, In Simon Holland; Tom Mudd; Katie Wilkie-McKenna; Andrew McPherson & Marcelo M. Wanderley (ed.),  New Directions in Music and Human-Computer Interaction.  Springer.  ISBN 978-3-319-92068-9.  Chapter 17.  s 269 - 284 Fulltekst i vitenarkiv. Vis sammendrag
  • Martin, Charles Patrick & Tørresen, Jim (2019). An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks, In Marcelo Queiroz & Anna Xambo Sedo (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.  s 260 - 265
  • Nygaard, Tønnes Frostad; Martin, Charles Patrick; Torresen, Jim & Glette, Kyrre (2019). Evolving Robots on Easy Mode: Towards a Variable Complexity Controller for Quadrupeds. Lecture Notes in Computer Science.  ISSN 0302-9743.  11454 LNCS, s 616- 632 . doi: 10.1007/978-3-030-16692-2_41
  • Næss, Torgrim Rudland & Martin, Charles Patrick (2019). A Physical Intelligent Instrument using Recurrent Neural Networks, In Marcelo Queiroz & Anna Xambo Sedo (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.  s 79 - 82
  • Wallace, Benedikte & Martin, Charles Patrick (2019). Comparing models for harmony prediction in an interactive audio looper. Lecture Notes in Computer Science.  ISSN 0302-9743.  11453 LNCS, s 173- 187 . doi: 10.1007/978-3-030-16667-0_12
  • Gonzalez Sanchez, Victor Evaristo; Martin, Charles Patrick; Zelechowska, Agata; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria Kristine Å & Jensenius, Alexander Refsum (2018). Bela-based augmented acoustic guitars for sonic microinteraction, In Luke Dahl; Doug Bowman & Tom Martin (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  Chapter.  s 324 - 327 Fulltekst i vitenarkiv. Vis sammendrag
  • Martin, Charles Patrick; Jensenius, Alexander Refsum & Tørresen, Jim (2018). Composing an ensemble standstill work for Myo and Bela, In Luke Dahl; Doug Bowman & Tom Martin (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  KAPITTEL.  s 196 - 197 Fulltekst i vitenarkiv. Vis sammendrag
  • Martin, Charles Patrick & Tørresen, Jim (2018). RoboJam: A musical mixture density network for collaborative touchscreen interaction. Lecture Notes in Computer Science.  ISSN 0302-9743.  10783 LNCS, s 161- 176 . doi: 10.1007/978-3-319-77583-8_11 Fulltekst i vitenarkiv. Vis sammendrag
  • Nygaard, Tønnes Frostad; Martin, Charles Patrick; Samuelsen, Eivind; Tørresen, Jim & Glette, Kyrre (2018). Real-world evolution adapts robot morphology and control to hardware limitations, In hernan aguirre (ed.),  GECCO '18: Proceedings of the Genetic and Evolutionary Computation Conference.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-5618-3.  1.  s 125 - 132 Fulltekst i vitenarkiv. Vis sammendrag
  • Martin, Charles Patrick (2017). Percussionist-Centred Design for Touchscreen Digital Musical Instruments. Contemporary Music Review.  ISSN 0749-4467.  36(1-2), s 64- 85 . doi: 10.1080/07494467.2017.1370794 Fulltekst i vitenarkiv. Vis sammendrag
  • Martin, Charles Patrick; Ellefsen, Kai Olav & Tørresen, Jim (2017). Deep Models for Ensemble Touch-Screen Improvisation, In George Fazekas; Mathieu Barthet & Tony Stockman (ed.),  Proceedings of the 12th International Audio Mostly Conference: Augmented and Participatory Sound and Music Experiences.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-5373-1.  Conference paper. Fulltekst i vitenarkiv. Vis sammendrag
  • Martin, Charles Patrick & Tørresen, Jim (2017). Exploring Social Mobile Music with Tiny Touch-Screen Performances, In Tapio Lokki; Jukka Pätynen & Vesa Välimäki (ed.),  Proceedings of the 14th Sound and Music Computing Conference 2017.  Aalto University.  ISBN 978-952-60-3729-5.  Conference Paper.  s 175 - 180 Fulltekst i vitenarkiv. Vis sammendrag
  • Martin, Charles Patrick & Tørresen, Jim (2017). MicroJam: An App for Sharing Tiny Touch-Screen Performances, In Cumhur Erkut (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Aalborg University Copenhagen.  Chapter.  s 495 - 496 Fulltekst i vitenarkiv. Vis sammendrag

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  • Jensenius, Alexander Refsum; Martin, Charles Patrick; Erdem, Cagri; Lan, Qichao; Fuhrer, Julian Peter; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata; Glette, Kyrre & Nymoen, Kristian (2019). Self-playing Guitars. Vis sammendrag
  • Nygaard, Tønnes Frostad; Nordmoen, Jørgen Halvorsen; Ellefsen, Kai Olav; Martin, Charles Patrick; Tørresen, Jim & Glette, Kyrre (2019). Experiences from Real-World Evolution with DyRET: Dynamic Robot for Embodied Testing.
  • Bergsland, Andreas; Sullivan, John; Cagri, Erdem & Martin, Charles Patrick (2018). Interactive music systems.
  • Brustad, Henrik & Martin, Charles Patrick (2018). Digital Audio Generation with Neural Networks.
  • Garcia Ceja, Enrique Alejandro; Ellefsen, Kai Olav; Martin, Charles Patrick & Tørresen, Jim (2018). Prediction, Interaction, and User Behaviour. Vis sammendrag
  • Gonzalez Sanchez, Victor Evaristo; Martin, Charles Patrick; Zelechowska, Agata; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria & Jensenius, Alexander Refsum (2018). Bela-based augmented acoustic guitars for sonic microinteraction. Vis sammendrag
  • Jack, Robert; Jensenius, Alexander Refsum; Gonzalez Sanchez, Victor Evaristo; Bjerkestrand, Kari Anne Vadstensvik; Zelechowska, Agata; Martin, Charles Patrick & Johnson, Victoria (2018, 02. mars). Sverm-Resonans: interactive installation with resonating guitars and Bela. [Internett].  Bela blog. Vis sammendrag
  • Jensenius, Alexander Refsum; Martin, Charles Patrick; Bjerkestrand, Kari Anne Vadstensvik & Johnson, Victoria (2018). Stillness under Tension.
  • Martin, Charles Patrick (2018). Creative Prediction with Neural Networks.
  • Martin, Charles Patrick (2018). Deep Predictive Models in Interactive Music.
  • Martin, Charles Patrick (2018). MicroJam. Vis sammendrag
  • Martin, Charles Patrick (2018). Predictive Music Systems for Interactive Performance. Vis sammendrag
  • Martin, Charles Patrick; Glette, Kyrre; Nygaard, Tønnes Frostad & Tørresen, Jim (2018). Self-Awareness in a Cyber-Physical Predictive Musical Interface. Vis sammendrag
  • Martin, Charles Patrick; Glette, Kyrre & Tørresen, Jim (2018). Creative Prediction with Neural Networks. Vis sammendrag
  • Martin, Charles Patrick; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata; Erdem, Cagri & Jensenius, Alexander Refsum (2018). Stillness under Tension.
  • Martin, Charles Patrick; Jensenius, Alexander Refsum & Tørresen, Jim (2018). Composing an ensemble standstill work for Myo and Bela. Vis sammendrag
  • Martin, Charles Patrick; Lesteberg, Mari; Jawad, Karolina; Aandahl, Eigil; Xambó, Anna & Jensenius, Alexander Refsum (2018). Stillness under Tension.
  • Martin, Charles Patrick & Tørresen, Jim (2018). Predictive Musical Interaction with MDRNNs.
  • Martin, Charles Patrick; Xambó, Anna; Visi, Federico; Morreale, Fabio & Jensenius, Alexander Refsum (2018). Stillness under Tension. Vis sammendrag
  • Nygaard, Tønnes Frostad; Martin, Charles Patrick; Tørresen, Jim & Glette, Kyrre (2018). Exploring Mechanically Self-Reconfiguring Robots for Autonomous Design. Vis sammendrag
  • Søyseth, Vegard Dønnem; Nygaard, Tønnes Frostad; Martin, Charles Patrick; Uddin, Md Zia & Ellefsen, Kai Olav (2018). ROBIN-Stand ved Cutting Edge 2018.
  • Tørresen, Jim; Garcia Ceja, Enrique Alejandro; Ellefsen, Kai Olav & Martin, Charles Patrick (2018). Equipping Systems with Forecasting Capabilities.
  • Wallace, Benedikte & Martin, Charles Patrick (2018). Predictive songwriting with concatenative accompaniment.
  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Martin, Charles Patrick (2017). Sverm-Puls. Vis sammendrag
  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Martin, Charles Patrick (2017). Sverm-Resonans.
  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Martin, Charles Patrick (2017). Sverm-Resonans.
  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Martin, Charles Patrick (2017). Sverm-Resonans. Vis sammendrag
  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik; Johnson, Victoria; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Martin, Charles Patrick (2017). Sverm-resonans. Vis sammendrag
  • Jensenius, Alexander Refsum; Kvifte, Tellef; Innervik, Kjell Tore; Martin, Charles Patrick; Brøvig-Hanssen, Ragnhild; Lossius, Trond & Diaz, Ximena Alarcón (2017). Panel: New Interfaces for Musical Expression.
  • Jensenius, Alexander Refsum; Martin, Charles Patrick; Bjerkestrand, Kari Anne Vadstensvik & Johnson, Victoria (2017). Sverm-Muscle.
  • Jensenius, Alexander Refsum; Martin, Charles Patrick; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Johnson, Victoria (2017). Sverm-Resonans.
  • Martin, Charles Patrick (2017). Making Social Music with MicroJam.
  • Martin, Charles Patrick (2017). MicroJam: A Social App for Making Music.
  • Martin, Charles Patrick (2017). Musical Networks: Using Recurrent Neural Networks to Model and Complement Musical Creativity. Vis sammendrag
  • Martin, Charles Patrick (2017). Pursuing a Sonigraphical Ideal at the Dawn of the NIME Epoch, In Alexander Refsum Jensenius & Michael J. Lyons (ed.),  A NIME Reader: Fifteen Years of New Interfaces for Musical Expression.  Springer Science+Business Media B.V..  ISBN 978-3-319-47213-3.  Expert Commentary on "Sonigraphical Instruments: From FMOL to the reacTable*".  s 103 - 105
  • Martin, Charles Patrick (2017). Virtuosic Interactions / Performing with a Neural iPad Band.
  • Martin, Charles Patrick; Gonzalez Sanchez, Victor Evaristo; Kelkar, Tejaswinee; Zelechowska, Agata; Berggren, Stig Johan; Hopgood, Christina; Wallace, Benedikte; Brustad, Henrik; Utne-Reitan, Bjørnar; Ellefsen, Kai Olav; Nygaard, Tønnes Frostad; Søyseth, Vegard Dønnem; Câmara, Guilherme Schmidt & Diaz, Ximena Alarcón (2017). Ensemble Metatone - Improvised Touchscreen Performance.

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Publisert 22. aug. 2016 14:14 - Sist endret 15. mars 2019 23:01